Selling a Horse Long Distance

Pictures Sell or Do Not Sell Horses=
by Bonnie Martin

Have you ever wondered why that wonderf= ul horse you have advertised hasn’t sold even after you sent photos or video to prospective buyers? You know he or she is a great horse. You’ve seen him out in the pasture strutting his stuff. You know he handles well, has cor= rect conformation, good legs and feet, and a wonderful disposition. If it’= s a riding horse, you know that he can and will do whatever is expected without fuss and in a stylish way. In addition, he positively gleams in the sunlight when he is clean. To top it off, you have him priced reasonably.

Why, then isn’t the buyer jumping= to get him? Well, it may not be the horse’s fault. The problem may just = lie in the photos or video you are sending to represent this wonderful animal. Don’t send something you feel a need ahead of time to apologize for. Spend a little more time and effort to get quality samples of what you have= to sell. Start off with a groomed horse. No one really wants to see nitty gritty wads of dirt,green manure stains, tangled manes, and unkempt horses. Bathe your horse, or at least brush to a shine. Coat conditio= ner will help tame the mane and tail. White markings should be really white so = they will show up.

If possible, photograph or video during= the fall or late spring when coats look their best, but especially on young sto= ck which is growing and changing so fast, you might be taking photos/video dur= ing their wooly stages. Granted, there may be lots of hair, but it should be cl= ean and neat. Clipping feathers on the fetlocks makes= the horse’s legs look more refined. The head shows up better and much prettier if the hair under the chin is trimmed and the jowl is defined. If there has been a bridlepath cut, it needs to be= reclipped so it is not standing up like a mohawk.

Next consider where to take the photos/= video. Yes, you’re trying to sell the horse, notyour farm, but the background can say a lot about your horse’s care. Try to find a spot to shoot where there is not clutter or distracting items to com= pete for the viewer’s attention. Especially in a video, you don’t ne= ed to have the horse wandering around equipment, feeders, round bales, etc.

For photographs, try to find a contrast= ing background. A dark horse in front of a dark background is not going to show= up very well, even with a color photo, whereas a grey would. In taking photos shoot lots of pictures. Most of them won’t turn out as well as you wo= uld hope. Get photos from the side with the horse standing on all four feet, looking alert. Get photos from both sides, from = the front (don’t be too close or it will look like a giant head) and from= the back to show those straight legs.

Getting the horse to buy into looking a= lert and not half asleep can be done by taking a trick from show photographers. They usually have something of interest that the h= orse will focus on. The point is not to scare them, but to get their attention–ears up, neck somewhat arched. A big mirror, feedbag, milk carton with pebbles in it, an umbrella, anything that they aren’t familiar with will do. This has the added advantage of getting them used to= odd things.

With video, there is the opportunity to= show what the horse can do and how he does it. Even young ones can do things like stand for haltering, lead willingly, perhaps stand tied or load in a trailer. Don’t forget to show those things as well as some of the animal moving out.

Horses under saddle should be shown bei= ng caught, groomed, saddled, and ridden. Hopefully, you will have worked your horse enough in the weeks beforehand and warmed him up sufficiently to get = your best ride. If not, do it again the next day or the next. Don’t send a tape saying that he is really better than what the viewer will be seeing. P= rove it.

If you have the equipment, take the tim= e to do any video editing that might be needed to get rid of unattractive parts. Folks don’t need to see the ground when you forgot to turn the camera off and started walking, they don’t really = need to see the horse proving that his bodily functions really work, or be made seasick in sections where the camera got wiggley. Cut those out. This also gives you a copy of the video to k= eep and not have to do all over again if someone else wants video before= the first one, hopefully, is returned. (Be sure to label and put your address on the video if you hope to get it back.)

Yes, this takes some time and effort, b= ut the payoff will come when the prospective buyer has a clear idea of your horse = and knows what is being offered. Then it’s just a matter of whether the h= orse matches the buyer’s wants and needs. Without that good video or snaps= hot, the buyers might not realize that you did have exactly what was being sought and move on to someone else’s horses in their quest for the perfect h= orse for them.

Note: Bonnie Martin says she is an amat= eur at horses and photography, but she has been actively involved with both for ma= ny years. After trying to both buy and sell horses, she put together these guidelines to help folks present their horses in the best light possible. T= his, in turn, helps buyers to better see what they might be buying, so they will= be able to make an informed judgement.